theNotice: a beauty blog

Okay, so: I know I haven’t been the best about posting recently, but I’m trying to be better, I swear. I think I still need a couple weeks to really get back into the swing of things, but I may as well start now!

Here’s a quick, springy look to start off the week. Created by Hannah Murray for Topshop AW13 at the last last London Fashion Week, the look is “a bit Brit pop, a bit Eighties, a bit New Wave with an urban edge,” according to Murray. Backstage artists paired fresh skin with almond-shaped pastel blue eyes, and — I don’t know. It’s a bit of a “look,” isn’t it? Super-easy, but still not something I could ever see myself really loving.

Read Vogue’s backstage report for the show here, and catch a full tutorial here.

Topshop recommends using their Eye Crayon in Kingfisher to get this look, but it’s not actually what was used backstage. Rather, Murray put down a green eyeshadow base (I’m guessing a cream eyeshadow), then topped it off with a pale blue eyeshadow.

I went with a more direct approach, layering a white primer with a matte blue eyeshadow, but I would have liked to have used something with more intensity — the soft “glow” was lovely in real life, but I think the way it photographed left a little something to be desired.

You win some, you lose some, I guess!

Start with a blank canvas

& add a little colour. (Pre-blush & mascara)

The cool thing about this look, though, is that you could honestly sub in whatever shade you wanted to. I love the look of a matte finish for an eye like this, but I’m not crazy about bright blues — I think I’d have loved to do a lilac or a cobalt instead (both of which happen to be part of Sephora’s current ColorVision forecast, handily enough!)

Here are a couple springy shades that caught my eye:

Shiseido | Sephora | MAC | Stila

Keep reading! »

The products: Benefit They’re Real! Mascara and Watt’s Up! Luminizer

↳  as seen in Real Birthday Turn-Ons!, Sephora’s 2013 Beauty Insider birthday gift

It’s not my birthday, but this year’s Sephora BI birthday gift almost makes it feel like it is. I’ve been playing around with the highlighter and mascara duo, and (while I don’t love it quite as much as last year’s Fresh lip balm duo) it’s pretty great.

Honestly, though: the freebie consists of two best-selling Benefit products, shrunk down into miniature form, with puns in tow. How could it not be?

Benefit They’re Real! Mascara, $23 USD/#29 CAD

Described as “a jet-black mascara that lengthens, curls, volumizes, lifts, and separates lashes,” They’re Real! has a very cool applicator. Made out of a flexible plastic, it has staggered short-and-long bristles that go all the way around the tip of the wand – perfect for adding length and separation right down to the roots & the hard-to-get outer corners of the eye.

I haven’t tried the much-loved Benefit BADgal Lash, but according to this cool chart on Benefit’s site, They’re Real! is glossy and lengthening (both of which I can hands-down confirm) while BADgal is matte and volumizing.

The pitfalls: I really wish They’re Real! wore for longer on my eyes. Like with most mascaras, I start seeing some smudging after 4-5 hours, which (at $29 CAD for the full sized version) is pretty disappointing. My lashes could use a little more volume, too, but that’s easily excusable for a mascara made to focus on lengthening!

The high points: The applicator! You wouldn’t think having bristles on the tip would make much of a difference, but it makes getting picture-perfect outer corners a cinch. It does a great job at providing length, too (particularly on the lower lashes), and I really love the soft, glossy finish. 

Benefit They’re Real! ingredients:

Water (Aqua), Paraffin, Polybutene, Styrene/Acrylates/Ammonium Methacrylate Copolymer, Beeswax (Cera Alba), Bis-Diglyceryl Polyacyladipate-2, C18-36 Acid Triglyceride, Palmitic Acid, Stearic Acid, Triethanolamine, Vp/Eicosene Copolymer, Acacia Senegal Gum, Hydroxyethylcellulose, Phenoxyethanol, Tetrasodium Edta, Butylene Glycol, Caprylyl Glycol, Tocopheryl Acetate, Sodium Laureth-12 Sulfate, Glycerin, Potassium Sorbate, Sericin, Calcium Chloride, Sodium Hyaluronate, Tilia Tomentosa Bud Extract, Citric Acid, Bht, Sorbic Acid. [+/-: Iron Oxides (Ci 77491, Ci 77492, Ci 77499), Ultramarines (Ci 77007), Chromium Oxide Greens (Ci 77288), Chromium Hydroxide Green (Ci 77289), Titanium Dioxide

L-R: Benefit They’re Real!, Benefit Watt’s Up! (straight from tube), Benefit Watt’s Up! (blended)

Benefit Watt’s Up! Soft Focus Highlighter, $30 USD/$36 CAD

Watt’s Up! is a cream-to-powder “luminous champagne” highlighter for the cheeks and browbones, which (in the full-size form) comes with a little “soft glow blender” to smooth out the luminizer into an even, diffuse sheen.

Honestly, my favourite part about Watt’s Up! is its adorable pun & packaging, but the product itself definitely has its merits, too!

The finish of Watt’s Up! is a tiny bit too shimmery for my tastes (I prefer a super-finely-milled sheen), but it does still create a gorgeous, noticeable glow. Unlike highlighters that depend on a mix of base pigment & shimmer to lift the complexion, this one is mainly based on peachy-champagne shimmer, which means that it’ll work well on a really wide range of complexions, right from NW15 through to NC42. 

It’s not too warm (orange-gold) or too cool (silvery-pink), either — I can wear this tone without a hitch, but my warmer, darker mother (around a NC35 in the winter) can pull it off no problem, too.

Keep reading! »

At long last: an actual post!

I’m not usually the biggest fan of blue, but the new Lise Watier Dramatique Intense Extra Smooth Liner in Bleu ($20 CAD) is definitely swaying me in its favour.

Paired with the Lise Watier Ombre Soufflé Suprême in Magie Blanche and Dramatique Intense 3D Volume Mascara in Noir (both also new for the spring), this look is based off of Benjamin Puckey’s SS13 Just Cavalli show, where MAC Marine Ultra Chromaline Eyeliner was applied in contrast to a pearly white pigment.

The effect (at least, on the models) was gorgeous: bright-eyed, intense, and flattering on literally any eye shape.

Read the full tutorial here on She Said Beauty.

(via)

I’m still not that crazy about Emerald, so the abundance of blue we’ve been seeing? Pretty great, if you ask me. Lise’s Bleu in particular really caught my eye, and I can honestly say that it is by far the most stunning eyeliner I own. In person, the colour is complex, vivid, and saturated in a way that my other liners just aren’t — it’s definitely not another boring blue.

This look used two other products I’m pretty pleased with, as well: the L’Occitane Immortelle Brightening Mist (whose super-fine mist makes it my current go-to for dewy skin), and the gorgeously-fragranced Clarins Palette Eclat (which I’ve featured in a couple other posts, but still haven’t reviewed — sorry!)

I don’t know. It’s soft, basic, easy; I’m kinda fond.

Keep reading! »

I’m all about multi-tasking when it comes to posts, so  I couldn’t miss this chance to share a green look with you: not only is it totally appropriate for St. Patrick’s Day, but it features Pantone’s 2013 Colour of the Year, Emerald.

Don’t miss this post on SSB for the full tutorial!

I kind of hate Pantone’s 17-5641 Emerald, to be totally honest, but I’m sucking it up for the time being. It’s not that I don’t love greens–I love a deep forest green, and I’m currently smitten with this grey-green polish–it’s just this green.

The Sephora + Pantone Universe Emerald collection is undoubtedly gorgeous on some, but I just feel like it looks a little obnoxious on my skintone, you know? A little too bright, a little too blue.

Bright lids & light lips

I don’t often opt for a brighter version of something, but I really preferred this one — as gorgeous as the red lip was, I liked the vibrance of the monotone lid & shimmery, mid-toned lip.

I layered the Sephora + Pantone Prismatic Shadow Block and Lightspeed Glitter Dust (both in Emerald) to get this eye, and I have to say: not really feeling either product.

The Shadow Block in particular really grated on my nerves; for a Sephora cream eyeshadow (two things I’ve come to expect a lot from), I thought it went on rather patchy and oily, and creased like a terror.

A darker lid & bold lip

Keep reading! »

The product: Clarins Ombre Minérale 4 Couleurs in 10 Iris Blossom

There are a lot of gorgeous (seriously; gorgeous) products in this Spring’s Clarins Rouge Eclat collection, but I have to say — Iris Blossom? Total. Stunner.

I know I promised this review ages ago, so without further adieu, I hope you enjoy the post!

The formula

Like the other Clarins Eye Quartets, Iris Blossom contains four eyeshadows with fairly hard-textured formulas. One is a sheer liner/crease shade that builds up easily and foils well; one is a translucent shimmer; and two (of course) are smooth, gorgeous mid-tones. 

Again, as with the other quads, I found Iris Blossom very easy to create both day and night looks from — things like foiling (or focusing more on the bottom two shades) are great for adding drama, and the mix of tones and textures add a fantastic amount of depth to any look created.

See this quad used in a look here! Right here!

Clarins Iris Blossom quad, swatched in indirect sunlight (dry on primed skin)

The shades

To start with the top two shades, this gorgeous wheat-y taupe (which is to say, more yellow and brown than violet and grey) is perfect for creating a neutral lid — it’s very smooth, and delivers the most pigment out of these four shades.

As its shimmery shade (great for highlighting the inner corner or adding interest to the middle of the lid!), Iris Blossom contains an extremely sheer white, packed with shimmer. It’s still complex enough to add some interesting texture, but doesn’t have any shards of glitter — I like it, but I think it could be better.

Clarins Iris Blossom quad, swatched in indirect sunlight with flash

Then, for the depth and drama, we have a stunning violet with blue reflects… but warmer undertones. Without flash or foiling, it’s much more subdued (see the top swatch), but the temperature and shimmer difference really makes the shade pop! with movement. It has good pigmentation and texture, but isn’t quite as buttery as the taupe.

Finally, as with the other Clarins quads, we have a dark shade (perfect for use as liner or in creating a smokey eye). In this case, it’s a sheer, matte charcoal, and as always, I love it — Clarins’ darkest shades are always quite hard, making them easy to work with but still leaving room for foiling or layering.

The verdict?

At $42 USD/$42 CAD (look at that gorgeous lack of a price difference!), I would absolutely recommend Iris Blossom if you’re looking to get into colour, but you’re wary of going too far with it on your first try.

I was asked last week about what would make a great first Clarins quad, and I think it varies by person and need. To answer the question in context, though: while this one doesn’t show off just how awesome those sheer shimmers can be, I still do think it would make a great “first Clarins!” if you have a soft spot for violets and taupes.

(I know I do).

Keep reading! »